September 26, 2020   |   by admin

Afterpop: La literatura de la implosión mediática (Compactos Anagrama) ( Spanish Edition) – Kindle edition by Eloy Fernández Porta. Download it once and read. Eloy Fernández Porta has 14 books on Goodreads with ratings. Eloy Fernández Porta’s most popular book is Afterpop. Nacido en el distrito barcelonés de Sarrià en , Eloy Fernández Porta se licenció en Humanidades por la Universidad Pompeu Fabra de Barcelona, donde.

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The second act, on the other zfterpop, is organised as a lively dialogue in which I interpret two other characters. His work in performing his essays also led him in the direction of working in video: Alexa Actionable Analytics for the Web.

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afterpop eloy fernandez porta pdf

The essay, written in an autobiographical register, refers to a dramatic situation that took place the morning after my afteepop in the town of Durham North Carolinawhere I spent a year for work reasons.

The first one is like a derivation of the previous one, turned into a displaced and satirical version of “the European in the United States.

It begins in a dramatic tone and evolves towards a comic tone which lasts a good part of the play, until it arrives at a brief closure in a more elegiac fernandze. Get fast, free shipping with Amazon Prime.

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The elements on stage are small, but also numerous and striking, ranging from the successive changes of costumes and the appearance of the single actor myselfto a long series of objects, which include, among many others, a recorded musical cassette tape, and a collection of merchandise from Subway sandwich shops, converting the stage into the exterior terrace of the restaurant. Amazon Drive Cloud storage from Amazon.


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Please try your request again later. AmazonGlobal Ship Orders Internationally. Shopbop Designer Fashion Brands. The first act is the most autobiographical, that of the Spaniard who narrates his arrival in the New World realistically, and who occupies the entire first act in the form of a monologue, with an odd interruption by another voice.

Afterppp acts 1 and 3, I recite, with alterations, three feernandez of the book; the central act is new.

Eros Spanish Edition Sep 30, Elyo a problem loading this menu right now. The performance has several notable changes of register. Available for download now.

ComiXology Thousands of Digital Comics. Palomo Thursday 6th December at 7. Provide feedback about this page. High to Low Avg. Eloj, the second act “is not in English”, but in one of the dialogues, which ends up in Spanish, English tones and words which any Spanish person may hear through the media are very consciously used, drawing upon my 25 years of teaching experience working in both languages and with students of very different levels.

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Amazon Second Chance Pass it on, trade it in, give it a second life. In order to perform this thematic repertoire, I open myself out throughout the piece into three characters, through successive changes in costume, gesture and language.

Not forgetting that the extended use, on the street and on the Internet, of the English language in its basic forms, is today, obviously, far more widespread than it was inwhen Pablo Carbonell presented, with great success, On the Desk. Amazon Inspire Digital Educational Resources.


afterpop eloy fernandez porta pdf – PDF Files

The work is conceived as a performance on stage and in front of a projector which will display 33 afterppp, all of which are artworks related to the text, and which clarify it at some points — see the list at the end. One way to explain this process would be as follows; it is as if afterppo “method” with which the famous Toreros Muertos song On The Desk was written, had been further developed, expanding the lyrical possibilities, along with the comic possibilities, of speaking a foreign language badly but understandably, always mindful of a general audience with a certain level of comprehension, but which has not necessarily fernansez English at school.

The work consists, on the one hand, of reducing the vocabulary to terms and expressions which may be easily understood by a relatively unschooled audience; while on the other hand, of developing a tone of “English spoken poorly by a Spanish-speaker”, with literal translations and a very marked accent, resulting in a text that a North American could not understand well, but which a Spanish speaker, regardless of level, may follow perfectly.

This situation, which in the text acts as a trigger, and occupies two pages, has been re-imagined, expanded and converted into a theatrical venture conceived as a piece in three acts, with no interval, though there is a short porat for costume changes.

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