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Download Citation on ResearchGate | The Leschetizky method: a guide to fine and correct piano playing / Malwine Brée | Traducción de: Die grundlange der. This legendary manual in both English and German documents principles and techniques of the legendary piano teacher Theodor Leschetizky, who taught. As a teacher, Leschetizky claimed he had no method, at least not in the rigid technical sense. The method he taught was the study of the score in the minutest .

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By the age of eighteen he was a well-known virtuoso in Vienna and beyond.

The Groundwork of the Leschetizky Method (Brée, Malwine)

His three later wives were all students, including Annette Essipov, one of the greatest 19th century women pianists. He worked with assistants who were his students and sometimes his wives he had several pianistic marriagesand they had lot of latitude in how they achieved the results.

Joseph Leschetizky, his father, was a gifted pianist and music teacher of Viennese birth. While in Russia he married one of his most famous students, Anna Essipovathe second of his four wives, with whom he had two children; one of them was his daughter, the well-known singer and teacher, Theresa, the other was his son Robert.

Leschetizky methdo a granddaughter, Ilse Leschetizky —who was a distinguished pianist and teacher. These are also the qualities which are predominant in the playing of Leschetizky’s pupils. At the invitation of his friend Anton Rubinsteinhe went to St. The brain must guide the fingers, not the fingers the brain”. The New York TimesJuly 5, Views Read Metohd View history.


They prepared the young students until they reached sufficiently advanced level to benefit from the Master’s teaching. He died on 14 November in Dresden.

The Leschetizky Method: A Guide to Fine and Correct Piano Playing

Born in Poland inTheodor Leschetizky was a pianist, teacher, and composer. They generally used flowing movements of the hand with fingers close to the keys, except when special effects leschetizmy required by the music. My own recollections of the playing of Horszowski and Moisewitsch bears this out.

Your fingers are like capering horses, spirited and willing, but ignorant of where to go without a guide. An interesting feature of ,ethod book is that Leschetizky let photographs of his hand be used for the illustrations.

From tohe was assisted by one of his students, Ethel Lechetizkyan experience which proved a fertile ground for background research for her book, Leschetizky as I Knew Him.

If you want to develop strength and sensitiveness in the tips of your fingers, use them in everyday life. He told Ethel Newcomb: Petersburg Conservatory of Music in No one else ever seemed interested to know. In other projects Wikimedia Commons Wikiquote. Most of his music has been out of print since the early twentieth century except for the Andante FinaleOp.

See the list of Leschetizky’s lescbetizky. To make an effective accelerando, you must glide into leschteizky as steadily as a train increases its speed when steaming out of a station. The elbows should be held neither too close to the sides nor too far away; moreover, they should be on a level with the keys, or be held but a very little higher. Leschetizkt student’s interpretation of a piece was fashioned to the student’s personality.


Without concentration, remember, you can do nothing.

Leschetizky composed over a hundred characteristic piano pieces, two operas: Although his piano pieces are primarily smaller works in the salon music vein, they are expressively lyrical on the one hand while exploiting the piano’s technical capabilities to great effect on the other.

Paderewski, along with other nethod on hand and finger exercises, other piano methods, and more. Basic Principles in Pianoforte Playing.

Retrieved 31 March New York, New York: Leschetizky as I Knew Him. What they all had in common was the absence of all inessential movements. This page was last edited on 12 Decemberat If you play wrong notes, either you do not know where the note is, or what the note is.

The Leschetizky Method: A Guide to Fine and Correct Piano Playing

He taught until the age of 85, leaving for Dresden in If you are going to play a scale, place your hand in readiness on the keyboard in the same position as you would if you were going to merhod a letter – or to take a pinch of snuff. The bystander ought to leschetiaky by your attitude of your hand what chord you are going to play before you play it, for each chord has its own psysiognomy. His pupils learn to evoke a fine tone from the instrument and to make music and not noise.

In one word – it is the method of methods.